LANDSCAPES
My landscapes are less about mapping real places and more about charting emotional weather.
I build cities, fields, and skies from cracked surfaces, eroded blocks of colour, and muted, bruised tones that feel as if something has already happened there.
Vertical shapes hint at towers or structures, but they stay half-dissolved, like memories that won’t fully resolve.
These paintings aren’t postcards; they are after-images of places in flux, inviting you to sense what lingers in the air long after the event has passed.
