Heads and shoulders.
I’m drawn to painting figures and symbols that feel like emotional icons rather than a portrait—elongated faces, simplified bodies, single objects—that’s what I like.
Each piece possibly a quiet confrontation: one presence alone in an uneasy space, where colour and awkward proportions say more about the inner life than realism ever could.
That’s the territory my work keeps circling back to, whether it’s a woman under a strange sky or a single face emerging from a flat, relentless green. That’ll do me.
On show and for sale at the Cadabra art gallery. The antiques centre. Ely Street. Stratford upon Avon.
